web analytics

Margarethe von Trotta Interview (Hannah Arendt)

A still from Margarethe Von Trotta's Hannah Arendt biopic where Hannah sits working at a typewriter in front of a bookshelf with books and documents scattered about the room.

Margarethe von Trotta is a German filmmaker whose career began during the famed New German Cinema period. Her films tend to take significant historical and political moments as backdrops to more emotional investigations, particularly between complex, well-drawn women characters. These films include The Lost Honor of Katharina Blum (1975), Marianne and Juliane (1981), Sheer Madness (1983), Rosa Luxemberg (1986), and Rosenstrasse (2003).

This is also true of her latest work, a biopic of the famous writer and political theorist, Hannah Arendt (2012). Margarethe premiered the film at the 2012 Toronto International Film Festival, where we were lucky to convene at our studio space hosted by Onsite [at] OCAD U in order to discuss it in relation to her career as a whole.

Our interview with Margarethe von Trotta was one of four feature interviews in the thirteenth monthly issue of The Seventh Art as a “video magazine.” It was released in June 2013 and was shot as part of our Toronto International Film Festival coverage. Other TIFF 2012 interviews on video from that year include Thomas VinterbergBen Wheatley, Athina Rachel Tsangari, Miguel Gomes, Costa-Gavras, Ernie Gehr, João Pedro Rodrigues & João Rui Guerra da Mata, Matías Piñeiro, Peter Mettler, Rodney Ascher & Tim Kirk, and William Vega.

By Christopher Heron

Christopher Heron is one of the co-founders of The Seventh Art. He's conducted over 60 long-form interviews for the publication, while also writing and cutting several numerous video essays that investigate formal traits in films and filmmakers. He received his MA in Cinema Studies from the University of Toronto, where his work explored cinematic representations of urban space with special attention paid to the films of Pedro Costa and Tsai Ming-liang.